{"contributors":[],"created":"2026-10-14T11:34","description":"Colonial collections, provenance research and the application of the FAIR and CARE principles ! At Mus\u00e9e d'ethnographie de Gen\u00e8ve","homepage":"https://opendata.ch/events/glamhack2023/","keywords":["glamhack23"],"licenses":[{"name":"ODC-PDDL-1.0","path":"http://opendatacommons.org/licenses/pddl/","title":"Open Data Commons Public Domain Dedication & License 1.0"}],"name":"event-10","resources":[{"data":[{"aftersubmit":"","boilerplate":"### &#128640; Let's launch your idea!\r\n\r\nWrite a **Title** and short **Summary**, select a **Template** if one is available, or use the **Readme** link to fetch an open source repository on [GitHub](https://github.com), [GitLab](https://gitlab.com) or [Bitbucket](https://bitbucket.org); an online document at [Etherpad](http://etherpad.org), [Instructables](http://instructables.com), [HackMD or CodiMD](https://hackmd.io), [Google Docs](http://docs.google.com) (Published to Web) or [DokuWiki](http://make.opendata.ch/wiki/project:home).\r\n\r\n_Need more help?_ Get in touch with the organising team, or raise [an issue](https://github.com/dribdat/dribdat/issues).\r\n","certificate_path":"","community_embed":"<div class=\"codeofconduct\">All attendees, sponsors, partners, volunteers and staff at our hackathon are required to agree with the <a href=\"https://hackcodeofconduct.org/\" target=\"_blank\">Hack Code of Conduct</a>. Organisers will enforce this code throughout the event. We expect cooperation from all participants to ensure a safe environment for everybody.</div>\r\n\r\n<br><p><a rel=\"license\" href=\"http://creativecommons.org/licenses/by/4.0/\" target=\"_blank\"><img align=\"left\" style=\"margin-right:1em\" alt=\"Creative Commons Licence\" style=\"border-width:0\" src=\"https://i.creativecommons.org/l/by/4.0/88x31.png\" /></a>The contents of this website, unless otherwise stated, are licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by/4.0/\" target=\"_blank\">Creative Commons Attribution 4.0 International License</a>.</p>\r\n","community_url":"","custom_css":".honeycomb .hexagon.challenge.stage--1, .honeycomb .hexagon.challenge.stage--100 {\r\n  opacity: 1;\r\n}","description":"Once a year, the Swiss OpenGLAM working group brings together cultural institutions, software developers, digital humanists, artists, Wikipedians and other interested parties to promote openness among galleries, libraries, archives and museums (GLAM). At the GLAMhack, we collaboratively experiment and innovate with cultural content and digital tools for research, web and mobile applications, Wikipedia and other uses. This edition focuses on colonial collections, provenance research, as well as the application of the FAIR and CARE principles in data governance. \r\n\r\n- \ud83d\udc49\ud83c\udffd [Blog post with recap of GLAMhack 2023](https://opendata.ch/news/glamhack-where-heritage-meets-digital-magic/)\r\n- \ud83d\udc49\ud83c\udffd [Video recordings by Infoclio](https://www.infoclio.ch/glamhack2023)\r\n\r\n# Data collections\r\n\r\n<a href=\"https://opendata.swiss/organization/openglam\" target=\"_blank\" class=\"btn btn-lg btn-light\"><img src=\"https://opendata.swiss/images/terms/terms_open.png\" style=\"height:1.4em;margin-right:1em\"/>Opendata.swiss</a>\r\n<a href=\"https://make.opendata.ch/wiki/data:ch\" target=\"_blank\" class=\"btn btn-lg btn-light\"><img src=\"https://www.dokuwiki.org/_media/wiki:dokuwiki-32.gif\" style=\"height:1.4em;margin-right:1em\"/>Make.Opendata.ch Wiki</a>\r\n<a href=\"https://hack.glam.opendata.ch/event/4\" class=\"btn btn-lg btn-light\"><img src=\"https://hack.glam.opendata.ch/static/img/logo12.png\" style=\"height:1.4em;margin-right:1em\"/>Hack.GLAM.Opendata.ch</a>\r\n\r\n# Recordings\r\n\r\n[![](https://i.ytimg.com/vi/Xwv8qflwVU8/hqdefault.jpg)](https://youtube.com/live/Xwv8qflwVU8?feature=share)\r\n\r\n- Friday: [\u23ef\ufe0f Introduction](https://youtube.com/live/r-6z5s8zNfA?feature=share)\r\n- Friday: [\u23ef\ufe0f Challenge pitches](https://youtube.com/live/cG_hSP2_aSM?feature=share) \r\n- Saturday: [\u23ef\ufe0f Final presentations](https://youtube.com/live/Xwv8qflwVU8?feature=share)\r\n\r\n","ends_at":"2023-09-30T15:30","gallery_url":"https://opendata.ch/wordpress/files/2023/02/034815_kleiner-1024x488.jpg","has_finished":true,"has_started":false,"hashtags":"#glamhack23","hostname":"Mus\u00e9e d\u2019ethnographie de Gen\u00e8ve","id":10,"instruction":"- [\ud83c\udfb4 Intro presentation](https://docs.google.com/presentation/d/e/2PACX-1vRVgeCO_IOAjKUPfUPvSLTzfKppKuvH_h40KDLUwtySPgdPHo7XzNWrZ7FAnhfN8A/pub?start=false&loop=false&delayms=3000) (Google Slides)\r\n- [\ud83c\udf38 Outro and projects](https://docs.google.com/presentation/d/e/2PACX-1vRLpqVigM0wQkDsNP6NFc7uQ-fE1BJVUC-vBzX0OfxjauZVL_H_HKohkWd1lAZb8w/pub) (Google Slides)","location":"Geneva","location_lat":46.19764,"location_lon":6.13707,"logo_url":"https://opendata.ch/wordpress/files/2023/02/034815_kleiner-1024x488.jpg","name":"GLAMhack 2023","starts_at":"2023-09-29T09:00","summary":"Colonial collections, provenance research and the application of the FAIR and CARE principles ! At Mus\u00e9e d'ethnographie de Gen\u00e8ve","webpage_url":"https://opendata.ch/events/glamhack2023/"}],"name":"events"},{"data":[{"autotext":"In this repository, created at the [GLAMhack 2023](https://opendata.ch/events/glamhack2023/) event in Geneva, we are creating a digital interactive exhibition installation on slavery for the online platform of the exhibition \u2018Memories'.\r\n\r\n# Results\r\n\r\n- [Web site prototype](https://colonialgeneva.ch/threads2/)\r\n- [GLAMhack 2023 project page](https://hack.glam.opendata.ch/project/201)\r\n- [Sketch made with \ud83c\udff4\u200d\u2620\ufe0f code](https://openprocessing.org/sketch/2026003) (`sketch.js` in this repo) - [Preview](https://glamhack23.colonialgeneva.ch/threads/)\r\n- [Sketch made with \ud83e\udd16 GPT](https://openprocessing.org/sketch/2026567) (`GPT_p5.js`) - [Preview](https://glamhack23.colonialgeneva.ch/threads/index-gpt.html)\r\n- [Penpot user interface mockup](https://design.penpot.app/#/view/1c096c09-a10e-80c0-8003-33a9f0727eb9?page-id=1c096c09-a10e-80c0-8003-33a9f0727eba&section=interactions&index=0&share-id=1c096c09-a10e-80c0-8003-349ca531e470) (`mockup` folder)\r\n- [Online form for data collection](https://glamhack23.colonialgeneva.ch/formtools/modules/form_builder/published/threadsform.php)\r\n\r\nWe built this project using the open source [P5.js](https://p5js.org/), with [OpenProcessing](https://openprocessing.org) and [OpenAI](https://chat.openai.com/) to accelerate the process. \r\n\r\nOur inspirations included:\r\n\r\n- [Force-directed D3 graph](https://observablehq.com/@d3/disjoint-force-directed-graph/2?intent=fork) - thanks Valerio!\r\n- [Connecting-Dots](https://github.com/ThugRaven/Connecting_Dots/tree/master) by Kamil Weso\u0142owski\r\n- [To Me America Is](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11558/4L01LZC4G41VN0UK8B3I354P/Image2.jpg) on Instagram by @Lille\r\n\r\n# Merci\r\n\r\n\ud83e\uddb8 [Gr\u00e9goire](https://www.geneve.ch/fr/autorites-administration/administration-municipale/annuaire-ville-geneve/ceuninck-gregoire) et \ud83e\uddd1\u200d\ud83c\udfa8 [Valerio](https://phabricator.wikimedia.org/p/valerio.bozzolan/)","autotext_url":"https://codeberg.org/OpenGLAM-CH/threads","category_id":"","category_name":"","contact_url":"https://glamhackchworkspace.slack.com/archives/C05UC6MG62F","created_at":"2023-09-28T12:56","download_url":"","event_name":"GLAMhack 2023","event_url":"https://hack.glam.opendata.ch/event/10","excerpt":"https://vimeo.com/874712104\r\n\r\n---\r\n\r\n# Challenge\r\n\r\nAs part of the MEG's upcoming temporary exhibition, 'Memories. Geneva in the Colonial World', the interpretation team and Ivonne Gonzales, has designed a physical participative installation on the topic of slavery. The installation\u2019s aim is to encourage the visitors to move beyond a solely intellectual (and thus distant) understanding of the transatlantic trade and its devasting consequences. Instead, the installation will ask the public to po...","hashtag":"14","id":201,"ident":"","image_url":"https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11558/1KLW3DLLBRZC8HUINGQTVBN4/kalonji_m\u00e9diation.jpg","is_challenge":false,"is_webembed":true,"logo_color":"","logo_icon":"","longtext":"https://vimeo.com/874712104\r\n\r\n---\r\n\r\n# Challenge\r\n\r\nAs part of the MEG's upcoming temporary exhibition, 'Memories. Geneva in the Colonial World', the interpretation team and Ivonne Gonzales, has designed a physical participative installation on the topic of slavery. The installation\u2019s aim is to encourage the visitors to move beyond a solely intellectual (and thus distant) understanding of the transatlantic trade and its devasting consequences. Instead, the installation will ask the public to position themselves emotionally and intellectually vis-\u00e0-vis this tragic chapter of our common history.\r\n\r\nWe now need your help to carry out its digital creation.\r\n\r\nYou're also more then welcome to contribute with feedback on the physical installation!\r\n\r\nCONTEXT:\r\n\r\nThe physical hands-on interactive installation will be situated in the physical exhibition\u2019s section on the transatlantic trade and Geneva\u2019s links to it, next to a mural designed by Kalonji (Genevan artist) which emphasises the fact that slavery is a chapter of our common history.A digital platform is being developed along the exhibition, which will mirror the exhibition. It is important for us that the analogue hands-on installation on slavery has a digital pendant. That would enable us to collect data on how the audiences relate to and position themselves regarding this history. It will also enable those who don\u2019t have access to the physical exhibition to participate.\r\n\r\nEXPLAINATIONS\r\n\r\nThe physical version of the installation will work as follow:\r\n\r\n![dispositif mediation.png](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11558/P1XJR44MU4LEV7X18VG4UX74/dispositif_mediation.png)\r\n\r\nVisitors will have to pick a pre-cut thread from five boxes. Each box contains threads of a specific colour and corresponds to one of the following affirmations:\r\nMy ancestors were enslaved\r\nMy ancestors participated or benefited directly or indirectly from slavery\r\nI am not directly concerned by slavery\r\nMy country benefited directly or indirectly from slavery\r\nI don't know what my links to slavery are\r\n\r\nThen, the visitor faces an oval mural on which 15 words are written. In very close proximity (immediately above or under or next to) each word there\u2019s a nail.\r\nThe visitor is invited to tie their thread around the different nails that correspond to the words or word they most identify with.\r\nThe words are as follow:\r\n\r\n1. Ignorance\r\n2. Anger\r\n3. Hatred / Rage\r\n4. Impotence\r\n5. Disgust\r\n6. Humiliation\r\n7. Shame\r\n8. Suffering\r\n9. Courage\r\n10. Empathy\r\n11. Indifference\r\n12. Discomfort\r\n13. To know more\r\n14. Solidarity\r\n15. Need for reparation\r\n\r\nOPTIONS: Justice / Activism\r\n\r\nThe idea is therefore that each person creates a \u2018path of resonance\u2019 on the tapestry that maps the collective relationship \u2018we\u2019 have with the transatlantic slave trade.\r\n\r\nA few things to keep in mind:\r\n\r\nThe tapestry must remain oval-shaped.\r\nAs data/paths accumulate, it is important that the categories remain visible/readable.\r\nThe categories may change and evolve - so the digital installation must be easy for the museum team to update!\r\n\r\nINSPIRATION\r\n\r\n![Instagram](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11558/4L01LZC4G41VN0UK8B3I354P/Image2.jpg)\r\n\r\nTECH PLAN\r\n\r\n![Sketch](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/1/BBTNG7YCR1INLOD02G6JQWKZ/Screenshot_20230930_at_15.06.04.jpg) ","maintainer":"EmilieThvenoz","name":"A thread to position myself","phase":"Training","progress":20,"score":61,"source_url":"https://codeberg.org/OpenGLAM-CH/threads","stats":{"commits":9,"during":30,"people":5,"sizepitch":3459,"sizetotal":5490,"total":38,"updates":31},"summary":"Help create a digital interactive exhibition installation on slavery for the online platform of the exhibition \u2018Memories'","team":"EmilieThvenoz, loleg, Giuachin, erica_brztg, Iris_Terradura","team_count":5,"updated_at":"2024-05-02T23:57","url":"https://hack.glam.opendata.ch/project/201","webpage_url":"https://opendata.utou.ch/threads/"},{"autotext":"# Challenge\r\n\r\n**Identifying colonial traces in early modern travelogues**\r\n\r\n## Description\r\n\r\nZentralbibliothek Z\u00fcrich provides a [text corpus of printed travelogues](https://opendata.swiss/en/dataset/gedruckte-reiseberichte-des-16-bis-19-jh) from the 16th to 19th century. Can you identify and extract colonial traces in these French and German texts? For instance, you could try describe the gaze on the \"other\" by tracking down mentions of geographic regions, different languages, certain ethnicities or one of the following semantic fields with NLP methods:\r\n\r\n- the concept of the \"noble savage\"\r\n- slavery\r\n- representation of dominance\r\n- hierarchies and structures of control \r\n\r\nFor instance, the last field could be looked at from an economic, military, cultural or political perspective. Starting from a military perspective, word clusters like \"Truppe \u2013 Fortifikation \u2013 Kriegszug - verfolgt \u2013 Beute \u2013 Treueeid \u2013 schw\u00f6ren \u2013 Vasall \u2013 kniend - Tribut\" could be interesting to search for inside the German texts.","autotext_url":"https://github.com/annalauraw/colonial-traces-in-travelogues","category_id":"","category_name":"","contact_url":"https://glamhackchworkspace.slack.com/archives/C05UC55KTGT","created_at":"2023-09-22T07:15","download_url":"https://github.com/annalauraw/glamhack23_challege_travelogues/releases","event_name":"GLAMhack 2023","event_url":"https://hack.glam.opendata.ch/event/10","excerpt":"## Challenge\r\n\r\nZentralbibliothek Z\u00fcrich provides a [text corpus of printed travelogues](https://opendata.swiss/en/dataset/gedruckte-reiseberichte-des-16-bis-19-jh) from the 16th to 19th century. Can you identify and extract colonial traces in these French and German texts? For instance, you could try describe the gaze on the \"other\" by tracking down mentions of geographic regions, different languages, certain ethnicities or one of the following semantic fields with NLP methods:\r\n\r\n* the concept...","hashtag":"05","id":191,"ident":"","image_url":"https://avatars.githubusercontent.com/u/44520920?v=4","is_challenge":false,"is_webembed":true,"logo_color":"","logo_icon":"","longtext":"## Challenge\r\n\r\nZentralbibliothek Z\u00fcrich provides a [text corpus of printed travelogues](https://opendata.swiss/en/dataset/gedruckte-reiseberichte-des-16-bis-19-jh) from the 16th to 19th century. Can you identify and extract colonial traces in these French and German texts? For instance, you could try describe the gaze on the \"other\" by tracking down mentions of geographic regions, different languages, certain ethnicities or one of the following semantic fields with NLP methods:\r\n\r\n* the concept of the \"noble savage\"\r\n* slavery\r\n* representation of dominance\r\n* hierarchies and structures of control\r\n\r\nFor instance, the last field could be looked at from an economic, military, cultural or political perspective. Starting from a military perspective, word clusters like \"Truppe \u2013 Fortifikation \u2013 Kriegszug - verfolgt \u2013 Beute \u2013 Treueeid \u2013 schw\u00f6ren \u2013 Vasall \u2013 kniend - Tribut\" could be interesting to search for inside the German texts.\r\n\r\n<br>\r\n<br>\r\n***Postcolonial reading of travelogue data***\r\n\r\nWhat perspectives on colonialism can be gained by the extracted entities, that are normally not considered in travel narratives?\r\n\r\n<br>\r\n**Listing names of persons**\r\n\r\n\\- Shift the focus away from the positioning and the role of the author in the colonial project\r\n\r\n\\- Undertake a schematic grouping: Identify intermediaries\\, rand\\-and\\-file employees or marginalized voices\r\n\r\n<br>\r\n**Listing the names of organisations**\r\n\r\n\\- Map the colonial infrastructure in an arena\r\n\r\n<br>\r\n**Listing the names of historical places**\r\n\r\n\\- Compare the different naming for places in time\r\n\r\n<br>\r\n<br>\r\n<br>\r\n## Process\r\n\r\nWe used the [SBB-NER-Tagger](https://github.com/qurator-spk/sbb_ner), developed by the Staatsbibliothek zu Berlin (SBB), for Named Entity Recognition in the travelogues. We were able to extract person, organization and place entities from the OCR texts. The SBB-NER-Tagger contains a BERT-based model which has been trained on the SBB collections of early modern prints in German, French and English language, and (at first sight) seems to produce some decent results.\r\n\r\nWe created one JSON file per text page, starting from the original JSON file of the dataset, and enhancing each page object with the identified entity strings and types (person, place, organization).\r\n\r\n## Result\r\n\r\nWe have a [prototypical frontend](https://github.com/Ibrahim-Halil-Kuray/Glam-Hack-2023) displaying the entities present per book page: https://luminous-speculoos-e2e07f.netlify.app/\r\n\r\nFor a reference of the entity categories used, please see the [BERT documentation](https://huggingface.co/dslim/bert-base-NER).\r\n\r\nA possible next step would be to use the Named Entity Linking Tool [SBB-NED](https://github.com/qurator-spk/sbb_ned) from SBB to link the entities found in the texts to Wikidata objects.","maintainer":"annabellewiegart","name":"Identifying colonial traces in early modern travelogues","phase":"Project","progress":5,"score":48,"source_url":"https://github.com/annalauraw/colonial-traces-in-travelogues","stats":{"commits":13,"during":35,"people":5,"sizepitch":2815,"sizetotal":3837,"total":45,"updates":39},"summary":"","team":"annabellewiegart, gnter_hipler, MauriceBonvin, ibrahim_halil_kuray, Basil","team_count":5,"updated_at":"2024-05-03T00:04","url":"https://hack.glam.opendata.ch/project/191","webpage_url":"https://player.vimeo.com/video/872960147?h=2599700379"},{"autotext":"","autotext_url":"","category_id":"","category_name":"","contact_url":"https://glamhackchworkspace.slack.com/archives/C05V183S0D6","created_at":"2023-08-28T14:22","download_url":"","event_name":"GLAMhack 2023","event_url":"https://hack.glam.opendata.ch/event/10","excerpt":"https://vimeo.com/873249326\r\n\r\n---\r\n\r\nWith the Charles A. Drenowatz Collection, which it received as a gift in 1979, the Museum Rietberg owns one of the most important collections of Chinese painting from the 15th to 19th centuries, the Ming and Qing periods, in Europe. The collection is known worldwide and has a great reputation in art history. Thanks to a grant from the Federal Office of Culture, the museum has undertaken a project that takes an in-depth look at the collector Charles A. Drenow...","hashtag":"07","id":185,"ident":"","image_url":"","is_challenge":false,"is_webembed":true,"logo_color":"","logo_icon":"","longtext":"https://vimeo.com/873249326\r\n\r\n---\r\n\r\nWith the Charles A. Drenowatz Collection, which it received as a gift in 1979, the Museum Rietberg owns one of the most important collections of Chinese painting from the 15th to 19th centuries, the Ming and Qing periods, in Europe. The collection is known worldwide and has a great reputation in art history. Thanks to a grant from the Federal Office of Culture, the museum has undertaken a project that takes an in-depth look at the collector Charles A. Drenowatz (1908-1979), who acquired his paintings in the 1950s-1960s, as well as the history of the works' transmission and the networks through which Drenowatz was able to assemble the collection.\r\n\r\nPainting occupies a very special place in the Chinese art canon. Works by famous artists found their way into the palace collections of the imperial family as well as into the important private collections of members of the upper class. What is unique about Chinese painting is that often not only the artist put an inscription and his seal on the painting, but also the recipient of the painting, friends and acquaintances of the artist, but also later owners, famous art critics and other expert viewers. In the course of time, these additions became a fixed but continuously expanding component of the work of art. At the same time, they are extremely important documentary sources, which makes Chinese painting an ideal subject for provenance research.\r\n\r\nOver the course of this project the information was gathered in the museums database. For each painting the seals, stamps (in this project referred as \"Provenienzmerkmal\" or \"PM\") and inscriptions were analysed, transcribed where possible and connected to the people who were the owner of those seals. This created a dense network of people, artworks and provenances that are documented in the database. Be aware, that these provenances are not by any means complete, or are following the traditional western idea of provenance as ownership. As written above, seal might have been added by connaisseurs who didn't own the painting. Nevertheless these clues give us an idea on the biography of the painting.\r\n\r\n![ Title ](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11544/35AH16ISK267B41Z8DZC6XY7/Schema_Database.png)\r\n![ Title ](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11544/1SSP4J8VHRZ1JX3UUHHFTGTP/Beispiel_Challenge.jpg)\r\n\r\nThe data will be delivered in four different .json files and a .zip archive with the fotos. Here you can download the data: https://data.stadt-zuerich.ch/dataset/mrz\\_drenowatz\\_sammlung\r\nApologies beforehand for the qualities of the images - and since a lot of the paintings are on long rolls with multiple scenes, fotos have been taken of the seperate scenes. There might be gaps, or it might be possible to stitch them togehter in one complete image.\r\n\r\n**How can this dense information be shown in an interactive way?**","maintainer":"JorisBurla","name":" Interactive Provenance Research of Chinese Paintings","phase":"Training","progress":20,"score":39,"source_url":"","stats":{"commits":0,"during":5,"people":6,"sizepitch":2983,"sizetotal":3052,"total":17,"updates":10},"summary":"Making provenance research into chinese collectors stamps interactive","team":"JorisBurla, marina_berazategui, sonja, jone, maysam, rae_knowler","team_count":6,"updated_at":"2024-05-03T00:05","url":"https://hack.glam.opendata.ch/project/185","webpage_url":"https://docs.google.com/presentation/d/e/2PACX-1vRLpqVigM0wQkDsNP6NFc7uQ-fE1BJVUC-vBzX0OfxjauZVL_H_HKohkWd1lAZb8w/embed?start=false&loop=false&delayms=3000#slide=id.g2862d187a34_2_3680"},{"autotext":"<p>Challenge: Accessibility of Cultural Events</p><p></p><p>The Opendata.ch association, in cooperation with several event data platform providers, is in the process of setting up a new working group on Open Event Data. One of the principles of the proposed <a class=\"c7\" href=\"https://www.google.com/url?q=https://docs.google.com/document/d/1ZBjwsZrqx89_KPHLnMtp9hhAAiA-PS7Fgr7jJIqqIJI/edit%23heading%3Dh.xs5iadebbb4b&amp;sa=D&amp;source=editors&amp;ust=1688564912333321&amp;usg=AOvVaw0qGU-V19aw105YBzPVeCHD\">Open Event Data Manifesto</a>\u00a0addressed at event producers and organizers as well as intermediaries providing data-related services reads as follows:</p><p>Promote the accessibility of your events by making accessibility-related information about the venues and the events themselves available in a standard format.</p><p>This greatly facilitates the orientation for people with special needs (physical, cognitive, mental health related, etc.) and allows them to more widely participate in social activities, thus contributing to a more inclusive society.</p><p>We suggest taking this as a starting point to reflect on different approaches to improve the information about the accessibility and inclusiveness of cultural events in Switzerland. Eventually, the goal will be to develop best practices and a roadmap for standardization and technical implementation that facilitate the dissemination of accessibility-related information pertaining to events.</p><p></p><p>Some initial ideas what could be worked on:</p><ul><li>Proof of Concept for the interlinking of venues referenced in the <a class=\"c7\" href=\"https://www.google.com/url?q=https://ginto.notion.site/Ginto-GraphQL-API-72f8fbe665314c83a61daabf7a87d7c5&amp;sa=D&amp;source=editors&amp;ust=1688564912334255&amp;usg=AOvVaw07Bbh4QO0W--O3kbW0xpcm\">Ginto/Sitios database</a>\u00a0and Wikidata</li><li>Proof of Concept for the inclusion of accessibility-related information on existing event platforms (interlinking of venues via Wikidata)</li><li>Best Practice for the referencing of accessibility-related information on Wikidata: venues, events, exhibitions (e.g. also in a museum context)</li><li>Creation/release of freely licensed icons matching the different (standardized) accessibility features of venues and events; publication on Wikimedia Commons</li><li>Proof of Concept for applications bringing accessibility-related information to interested users</li></ul><p></p><p>Author of the challenge:</p><ul><li>Beat Estermann (Opendata.ch / Bern Academy of the Arts)</li></ul><p></p><p></p>","autotext_url":"https://docs.google.com/document/d/e/2PACX-1vSCRQqhrDy3dxpj7aW7xsUHSm9R7h2W5kv2UajcQ0Xb6zAD1bNym_VzbixtWDFN7uNqjJAAJvepoFyt/pub","category_id":"","category_name":"","contact_url":"https://glamhackchworkspace.slack.com/archives/C05UELSRR7E","created_at":"2023-07-05T12:45","download_url":"","event_name":"GLAMhack 2023","event_url":"https://hack.glam.opendata.ch/event/10","excerpt":"https://vimeo.com/872875780","hashtag":"02","id":179,"ident":"","image_url":"https://upload.wikimedia.org/wikipedia/commons/thumb/f/fc/Disability_symbols.png/600px-Disability_symbols.png","is_challenge":false,"is_webembed":true,"logo_color":"","logo_icon":"","longtext":"https://vimeo.com/872875780","maintainer":"","name":"Accessibility of Cultural Events","phase":"Project","progress":5,"score":34,"source_url":"https://docs.google.com/document/d/e/2PACX-1vSCRQqhrDy3dxpj7aW7xsUHSm9R7h2W5kv2UajcQ0Xb6zAD1bNym_VzbixtWDFN7uNqjJAAJvepoFyt/pub","stats":{"commits":0,"during":11,"people":2,"sizepitch":27,"sizetotal":2700,"total":20,"updates":15},"summary":"Making accessibility-related information about the venues and the events themselves available in a standard format.","team":"gioprofeta, beatestermann","team_count":2,"updated_at":"2024-05-03T00:09","url":"https://hack.glam.opendata.ch/project/179","webpage_url":"https://docs.google.com/presentation/d/e/2PACX-1vRLDJEXRRYAe29D4kGOSGfl0kN0KN2MljvqMmrk0sGYgWINYbF0q4XabrJDX1Nra-YToIga-wvZjQAg/embed?start=false&loop=false&delayms=3000"},{"autotext":"","autotext_url":"","category_id":"","category_name":"","contact_url":"https://glamhackchworkspace.slack.com/archives/C05UQSGFX4H","created_at":"2023-07-25T12:19","download_url":"","event_name":"GLAMhack 2023","event_url":"https://hack.glam.opendata.ch/event/10","excerpt":"https://vimeo.com/872920469\r\n\r\n---\r\n\r\n# Challenge\r\n\r\nGOAL: Decolonising the MEG's inventories through research and analysis of semantic violence : create a programme to tag MEG inventories and identify racist and discriminative terms or problematic provenance indications.\r\n\r\nDATASETS: https://opendata.swiss/dataset/metadata-meg-collections\r\n\r\nCONTEXT: MEG offers online consultation of the 70,000 objects in its collections, using inventory sheets supplemented by one or more photographs of each it...","hashtag":"03","id":182,"ident":"","image_url":"https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11540/33C7Q8WFGX5653ER4TPQPI2O/059728.jpg","is_challenge":false,"is_webembed":true,"logo_color":"#ff8000","logo_icon":"","longtext":"https://vimeo.com/872920469\r\n\r\n---\r\n\r\n# Challenge\r\n\r\nGOAL: Decolonising the MEG's inventories through research and analysis of semantic violence : create a programme to tag MEG inventories and identify racist and discriminative terms or problematic provenance indications.\r\n\r\nDATASETS: https://opendata.swiss/dataset/metadata-meg-collections\r\n\r\nCONTEXT: MEG offers online consultation of the 70,000 objects in its collections, using inventory sheets supplemented by one or more photographs of each item, a \"cartel\" or \"list\" description and links to the various digitised old inventory registers.\r\n\r\nFar from being neutral and objective, metadata has inherited the information contained in the inventories that preceded it, and is always historically situated.\r\n\r\nAn OCR scan of the MEG inventory registers, which were drawn up between 1901 and 1993, can be used to search by keyword for colonial, racist or disrespectful terms, or indications of an acquisition context that is ethically reprehensible today.\r\n\r\nThe aim of this challenge is to create a programme to search and tag the MEG's metadata for discriminatory, racist and violent semantic traces in the description of its collections:\r\n\r\n* relating to the denomination or invisibilisation of the identity of their creators, the people depicted on the artworks and the cultural owners\r\n* relating to the description and supposed use of the object\r\n* relating to provenance, i.e. more precisely to the acquisition process (theft, looting, confiscation, unfair trade during colonial era).\r\n\r\nAs part of its commitment to transparency, the museum also has a duty to warn and guide users of its historical data so that they are not confronted with violent and racist terms without contextual warning.\r\n\r\nThe idea is that the disclaimers/tags appear on the online database of the MEG: https://www.ville-ge.ch/meg/sql/musinfo00.php\r\n\r\nMETHOD:\r\n-Create a thesorus of colonial, racist, problematic terms to be search in the database and OCR scan\r\n-Build a disclaimer system which could respond to different cases of semantic violences\r\n-Create a programm capable of producing a \"decolonial\" analysis of the ethically reprehensible information contained in the MEG database\r\n\r\nCONTACT: Floriane Morin\r\n\r\nPropositions:\r\n\r\n<br>\r\n![41.pdf](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11540/L09PXFVJ30TFEEGNRPI7SCJB/41.pdf)\r\n\r\n![41.png](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11540/2NMCCK2TV5TVD7THJ8GJIZI1/41.png)\r\n\r\nSlack: [https://glamhackchworkspace.slack.com/archives/C05UQSGFX4H](https://glamhackchworkspace.slack.com/archives/C05UQSGFX4H)\r\n","maintainer":"marina_berazategui","name":"Decolonise the MEG inventories","phase":"Research","progress":10,"score":33,"source_url":"","stats":{"commits":0,"during":5,"people":7,"sizepitch":2669,"sizetotal":2773,"total":21,"updates":13},"summary":"Create a programm for transversal research and tagging of racist, violent and discriminative information","team":"marina_berazategui, floriane_morin, Gregoire_de_Ceuninck, Galahmm, birk, SaraPetrella, Johanna","team_count":7,"updated_at":"2024-05-03T00:01","url":"https://hack.glam.opendata.ch/project/182","webpage_url":"https://docs.google.com/presentation/d/e/2PACX-1vRLpqVigM0wQkDsNP6NFc7uQ-fE1BJVUC-vBzX0OfxjauZVL_H_HKohkWd1lAZb8w/embed?start=false&loop=false&delayms=3000&slide=id.g2862d187a34_4_589"},{"autotext":"","autotext_url":"","category_id":"","category_name":"","contact_url":"https://glamhackchworkspace.slack.com/archives/C05U9B4T2J1","created_at":"2023-08-30T11:20","download_url":"","event_name":"GLAMhack 2023","event_url":"https://hack.glam.opendata.ch/event/10","excerpt":"https://vimeo.com/873305066\r\n\r\n---\r\n\r\nIn 2013, archaeologists from the University of Basel conducting excavations in Egypt's Valley of the Kings unearthed a limestone tile (a so-called ostracon). Initially unremarkable, this piece of rock revealed its historical significance as one of the world's oldest sundials, dating back to the 13th century BC. The sundial features a central hole for a gnomon (a rod made of wood, bronze or lead) allowing it to cast a shadow, and fan-shaped lines rendered in ...","hashtag":"11","id":186,"ident":"","image_url":"https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/5/T7WDYIVSGSWLJNKOM5P15GZ4/Ancientegyptiansundial.jpg","is_challenge":false,"is_webembed":true,"logo_color":"#ff8000","logo_icon":"","longtext":"https://vimeo.com/873305066\r\n\r\n---\r\n\r\nIn 2013, archaeologists from the University of Basel conducting excavations in Egypt's Valley of the Kings unearthed a limestone tile (a so-called ostracon). Initially unremarkable, this piece of rock revealed its historical significance as one of the world's oldest sundials, dating back to the 13th century BC. The sundial features a central hole for a gnomon (a rod made of wood, bronze or lead) allowing it to cast a shadow, and fan-shaped lines rendered in black pigments onto the limestone surface.\r\n\r\n\"Ra\" was developed to bring this 3200 year old artifact to life. The project showcases the sundial's functionality, as a shadow moves across its surface to indicate the time. Numerals from 6 AM to 6 PM denote the hours. View (simulation, ostracon front, ostracon back), shadow and dial (original, equinox, winter solstice, summer solstice, today, today Luxor true solar) as well as the numerals (Egyptian, Greek, Roman, eastern Arabic, Arabic) can be toggled by means of hieroglyph buttons. The astronomical modes have been calculated for a latitude of 25.5\u00b0 (Luxor).\r\n\r\n![ra kl.gif](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/5/4Z7SJ4CWEIW3EIMKASF32510/ra_kl.gif)\r\n\r\n[Launch Ra](https://www.thomasweibel.ch/ra), the world's oldest sundial!\r\n\r\n### Team\r\n\r\n* [Thomas Weibel](https://www.thomasweibel.ch)\r\n* Sophie Aellen\r\n* Hugo Dupraz\r\n\r\n### Sources\r\n\r\n* SRF: [Basler Forscher finden alt\u00e4gyptische Sonnenuhr](https://www.srf.ch/news/basel-baselland-basler-forscher-finden-altaegyptische-sonnenuhr)\r\n* Susanne Bickel, Rita Gautschy (2014): [Eine ramessidische Sonnenuhr im Tal der K\u00f6nige](https://edoc.unibas.ch/35646/1/%5BZeitschrift%20fr%20gyptische%20Sprache%20und%20Altertumskunde%5D%20Eine%20ramessidische%20Sonnenuhr%20im%20Tal%20der%20Knige.pdf), S. 3ff.\r\n\r\n### Logo, Media\r\n\r\n* Wikimedia Commons: [The Eye of Ra](https://commons.wikimedia.org/wiki/File:Eye_of_Ra_bw.svg)\r\n* Wikimedia Commons: [Ancient Egyptian sundial](https://commons.wikimedia.org/wiki/File:Ancient-egyptian-sundial.jpg)\r\n* Myriam Frisano: [Fourteen Dreams](https://halfapx.com/product/fourteen-dreams-brushlettering-font/) (brush lettering font)\r\n* [Noto Sans Egyptian Hieroglyphs](https://notofonts.github.io/egyptian-hieroglyphs/)\r\n\r\n### Credits\r\n\r\n* Photos: Matjaz Kacicnik, University of Basel, [Department of Ancient Civilizations](https://daw.philhist.unibas.ch/en/), [Kings' Valley Project](https://daw.philhist.unibas.ch/en/egyptology/research/research-projects/kings-valley-project/)","maintainer":"twb","name":"Ra - the world's oldest vertical sundial","phase":"Project","progress":5,"score":33,"source_url":"","stats":{"commits":0,"during":13,"people":1,"sizepitch":2553,"sizetotal":2637,"total":32,"updates":30},"summary":"Bringing the 3200 year old timepiece from Egypt's Valley of the Kings to life again.","team":"twb","team_count":1,"updated_at":"2024-09-06T12:10","url":"https://hack.glam.opendata.ch/project/186","webpage_url":"https://www.thomasweibel.ch/ra"},{"autotext":"<p>Visualizing Collections &amp; Enabling Collaborations</p><p>Zurich Ethnographic Museum</p><p></p><p>This challenge is based on a very practical real-life problem: we want to develop collaborative provenance research projects with concerned communities - but the collections at the Ethnographic Museum in Zurich are currently not accessible online</p><p></p><p>This means external partners both here in Switzerland and abroad are unable to look up what is currently held in the museum. To find out about the collection they have to email a member of staff.</p><p></p><p><img alt=\"\" src=\"https://lh4.googleusercontent.com/VMbJTytdTAIxjAOGa79BZb3JOdLMGLgMNRJYWQKQiY3YHrnXjo7Urh_CeTc1Pdx-uviqZfoWfWXF0hUKYMGQeNPXbMq_WIOEgg_b9_behCmFGnYl0W27P4bl_b7JWqMuFTnBPVOcM8sb3mD8\"></p><p>Sharing data - sharing stories: provenance research as a broker for new collaborative endeavors. Visit of delegation from Nigeria to the Zurich Ethnographic Museum </p><p></p><p></p><p>The museum is currently addressing this and has decided to make its database accessible online. \u00a0But it is early days, and this will most probably require us shifting to a new collection management software and will take time and resources.</p><p></p><p>In the meantime, having recently joined the institution as the museum\u2019s provenance researcher, I would like to have a quick and creative solution that communicates to the general public where our collections come from and during which period they arrived in the museum.</p><p></p><p></p><p><img alt=\"\" src=\"https://lh5.googleusercontent.com/8gTQ3dz72B1z4UrUoEczKMZsIYJ22AZGl5mP53ECQwOpO1FXgwtB1oNOMlYh_EqZRcWHeBy8gFmVQZEI4R_cT43-XfOT_PPJkji6OsQd7-PohyXTXgJGE5tH9ZFRvNkBnvL3TbpVKSUGIQhc\"></p><p>Engaging the general public in provenance research </p><p>Photo Caroline Krajcir </p><p></p><p>This prototype does not need to communicate all of the information that one would normally find in a museum database but should provide a basic overview, ideally in the form of a visualization, or mapping so that external partners get a good sense of what is in the collection.</p><p></p><p>The intention is that making this data available in a user-friendly format could foster further collaborations between concerned communities and the museum. This would fill an important gap whilst the collection is still off-line. \u00a0</p><p></p><p><img alt=\"\" src=\"https://lh3.googleusercontent.com/cdfAOZNLAH3TVuKQnTm-QGgMy5dRE9SqnjDUz7QwK9r7AZcrQzkk_YsqUMNFrQjxKA0oNaZ0tUs-RpCgPOZFmRxSyZ6LNTr6mFUf-QGd7SaHvhTIiHGFBLdJpuLhoterb_Cn9vMxrpFeOIW0\"></p><p>Inspiration: Cartography of Heritage from Cameroun in Europe - </p><p><a class=\"c4\" href=\"https://www.google.com/url?q=https://www.tu.berlin/kuk/forschung/projekte/laufende-forschungsprojekte/umgekehrte-sammlungsgeschichten-mapping-kamerun-in-deutschen-museen/atlas-der-abwesenheit&amp;sa=D&amp;source=editors&amp;ust=1695898430040840&amp;usg=AOvVaw2aPSso65b6zuuo1UReGC9W\">Source </a><a class=\"c4\" href=\"https://www.google.com/url?q=https://www.tu.berlin/kuk/forschung/projekte/laufende-forschungsprojekte/umgekehrte-sammlungsgeschichten-mapping-kamerun-in-deutschen-museen/atlas-der-abwesenheit&amp;sa=D&amp;source=editors&amp;ust=1695898430041036&amp;usg=AOvVaw0CcJVivQnVU0dgZdwoPwpV\">Atlas der Abwesenheit Kameruns Kulturerbe in Deutschland - 2023</a><a class=\"c4\" href=\"https://www.google.com/url?q=https://www.tu.berlin/kuk/forschung/projekte/laufende-forschungsprojekte/umgekehrte-sammlungsgeschichten-mapping-kamerun-in-deutschen-museen/atlas-der-abwesenheit&amp;sa=D&amp;source=editors&amp;ust=1695898430041193&amp;usg=AOvVaw3sBsteOeDTSJeJ_Map2hkw\">\u00a0</a></p><p></p><p>Difficulties: Whilst the geographical regions have pre-defined country and area codes, the provenance data when available is in an open text schema. Actors names from acquisitions over the last 30 years would need to be protected. </p><p>Outlook:\u00a0Such a prototype could be the start of a collaboration with hackathon participants, which based on available resources could be further developed together. It could even be that the prototype inspires us to adopt certain principles and creative solutions as we work on putting the full database online.</p><p>We hope you are willing to jump on board and with your tools and skills set help us develop a solution to this challenge!</p><p></p><p>Inspirations:</p><p>\u00a0</p><p><a class=\"c4\" href=\"https://www.google.com/url?q=https://www.tu.berlin/kuk/forschung/projekte/laufende-forschungsprojekte/umgekehrte-sammlungsgeschichten-mapping-kamerun-in-deutschen-museen/atlas-der-abwesenheit&amp;sa=D&amp;source=editors&amp;ust=1695898430041865&amp;usg=AOvVaw0yRmyvipLGU1N29-ThLmXK\">Atlas der Abwesenheit \u2013 Kameruns Kulturerbe in Deutschland</a></p><p></p><p></p><p><a class=\"c4\" href=\"https://www.google.com/url?q=https://digitalbenin.org/&amp;sa=D&amp;source=editors&amp;ust=1695898430042073&amp;usg=AOvVaw33TQcu6cx_96LtB0skB_ak\">Digital Benin</a></p><p></p><p><a class=\"c4\" href=\"https://www.google.com/url?q=https://philippinestudies.uk/mapping/&amp;sa=D&amp;source=editors&amp;ust=1695898430042230&amp;usg=AOvVaw271xx2h-j0XizFGyr0g3sE\">Mapping Philippine Material Culture</a></p><p></p><p><a class=\"c4\" href=\"https://www.google.com/url?q=https://africa-art-archive.ch/&amp;sa=D&amp;source=editors&amp;ust=1695898430042388&amp;usg=AOvVaw3zgDIqTe80QPdYorg-wap4\">Africa Art Archive</a>\u00a0</p><p></p><p>Past GlamHack projects </p><p><a class=\"c4\" href=\"https://www.google.com/url?q=https://hack.glam.opendata.ch/project/68&amp;sa=D&amp;source=editors&amp;ust=1695898430042629&amp;usg=AOvVaw0cFUSG5SOuOfPX2anTvrEz\">The spatial evolvement of a Museums\u2019 collection - GLAMhack 2021 (opendata.ch)</a></p><p></p><p>Data:</p><p></p><p>Data storage: Data will be available as an excel file on the UZH Switch Drive \u2013 available through a password protected link. </p><p></p><p>Data fields: The data fields would be the object name, inventory number, continent, region and country, and then the date of entry and provenance actors. \u00a0</p><p></p><p>Karteikarte: Name Objekt, Inventar-Nr, Kontinent, Weltregion, Land, Geographische Region. History: Eingangsdatum, Von, Sammler, Provenienz</p><p>\u00a0</p><p>\u00a0</p><p>\u00a0</p><p>\u00a0</p><p></p>","autotext_url":"https://docs.google.com/presentation/d/e/2PACX-1vRLpqVigM0wQkDsNP6NFc7uQ-fE1BJVUC-vBzX0OfxjauZVL_H_HKohkWd1lAZb8w/embed?start=false&loop=false&delayms=3000#slide=id.g2862d187a34_2_3896","category_id":"","category_name":"","contact_url":"https://glamhackchworkspace.slack.com/archives/C05UC98L17U","created_at":"2023-09-28T09:54","download_url":"","event_name":"GLAMhack 2023","event_url":"https://hack.glam.opendata.ch/event/10","excerpt":"https://vimeo.com/872960147\r\n\r\n* [Documentation](https://docs.google.com/document/d/e/2PACX-1vQ7czSEe0M_S4JwvPD6CmOuptNB7aXm9mdt2bz2f39isB12OHxHewwBI46oS3LYeX28sfVj79Qb0lE7/pub) (Google Doc)\r\n* [Visualizing Collections](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11539/SJO2P692HLBB9YSC9F53AH37/Visualizing_Collections__Enabling_Collaborations.pdf) (PDF)\r\n* [Challenge presentation](https://docs.google.com/document/d/e/2PACX-1vQ7czSEe0M_S4JwvPD6CmOuptNB7aXm9mdt2...","hashtag":"15","id":199,"ident":"","image_url":"","is_challenge":false,"is_webembed":true,"logo_color":"","logo_icon":"","longtext":"https://vimeo.com/872960147\r\n\r\n* [Documentation](https://docs.google.com/document/d/e/2PACX-1vQ7czSEe0M_S4JwvPD6CmOuptNB7aXm9mdt2bz2f39isB12OHxHewwBI46oS3LYeX28sfVj79Qb0lE7/pub) (Google Doc)\r\n* [Visualizing Collections](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11539/SJO2P692HLBB9YSC9F53AH37/Visualizing_Collections__Enabling_Collaborations.pdf) (PDF)\r\n* [Challenge presentation](https://docs.google.com/document/d/e/2PACX-1vQ7czSEe0M_S4JwvPD6CmOuptNB7aXm9mdt2bz2f39isB12OHxHewwBI46oS3LYeX28sfVj79Qb0lE7/pub)\r\n\r\nContact: Alice Hertzog - hertzog@vmz.uzh.ch","maintainer":"AliceHertzog","name":"Visualizing Collections & Enabling Collaborations ","phase":"Project","progress":5,"score":32,"source_url":"https://docs.google.com/document/d/e/2PACX-1vQ7czSEe0M_S4JwvPD6CmOuptNB7aXm9mdt2bz2f39isB12OHxHewwBI46oS3LYeX28sfVj79Qb0lE7/pub","stats":{"commits":0,"during":5,"people":4,"sizepitch":595,"sizetotal":6870,"total":12,"updates":7},"summary":"Data visualisation to develop collaborative provenance research projects with concerned communities","team":"AliceHertzog, brrsm, anthonych, timtom, piloublan","team_count":4,"updated_at":"2024-05-03T00:08","url":"https://hack.glam.opendata.ch/project/199","webpage_url":"https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/1/5LWPY1PY9HNCJIJKV6034GUW/output.pdf"},{"autotext":"","autotext_url":"","category_id":"","category_name":"","contact_url":"https://glamhackchworkspace.slack.com/archives/C05V18887AL","created_at":"2023-09-20T15:24","download_url":"","event_name":"GLAMhack 2023","event_url":"https://hack.glam.opendata.ch/event/10","excerpt":"https://vimeo.com/873253026\r\n\r\n---\r\n\r\nIn the archives of the City of Geneva, there are a lot of letters from the MEG or to the MEG which include information about MEG Objects. Most of these letters have been digitized. By linking the objects to the corresponding letters, the information about the provenance of the objects could be improved.\r\n\r\n# Datasets\r\n\r\n* [Metadata of Mus\u00e9e d'Ethnographie de Gen\u00e8ve (MEG) collections](https://opendata.swiss/dataset/metadata-meg-collections)\r\n* [Index g\u00e9n\u00e9ral ...","hashtag":"08","id":188,"ident":"","image_url":"https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11532/32KQ1L0LCDVB82RPR315YXO5/Capture.JPG","is_challenge":false,"is_webembed":true,"logo_color":"","logo_icon":"","longtext":"https://vimeo.com/873253026\r\n\r\n---\r\n\r\nIn the archives of the City of Geneva, there are a lot of letters from the MEG or to the MEG which include information about MEG Objects. Most of these letters have been digitized. By linking the objects to the corresponding letters, the information about the provenance of the objects could be improved.\r\n\r\n# Datasets\r\n\r\n* [Metadata of Mus\u00e9e d'Ethnographie de Gen\u00e8ve (MEG) collections](https://opendata.swiss/dataset/metadata-meg-collections)\r\n* [Index g\u00e9n\u00e9ral de la correspondance du Mus\u00e9e d'Ethnographie (1900-1952)](https://opendata.swiss/dataset/index-general-de-la-correspondance-du-musee-d-ethnographie-1900-1952). The letters themselves will be available during the hackathon, but they are not openly licensed\r\n\r\n# Idea on How to proceed\r\n\r\nFor this object [https://www.ville-ge.ch/meg/sql/musinfo_public.php?id=040434](https://www.ville-ge.ch/meg/sql/musinfo_public.php?id=040434)\r\n\r\n![megscreenshot.png](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11476/R45H3ZW7MLYE0NZJMA4MUMFG/megscreenshot.png)\r\n\r\nThere is a mention of J. Debarge in the field \"Collection particuli\u00e8re\".\r\n\r\nIn the index of letters, there are a couple of letters from Josette Debarge originating from Cameroun in \\~1931\r\n\r\n![Capture d\u00e9cran du 20230920 173709.png](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11476/NERWG5MEP746UEHLSXM1QVF5/Capture_d%C3%A9cran_du_20230920_173709.png)\r\n\r\nHere is a letter about this object.\r\n\r\n![Capture d\u00e9cran du 20230921 180628.png](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11476/QGY6VD29RH0EAXHXEW1OH6QA/Capture_d%C3%A9cran_du_20230921_180628.png)\r\n\r\n![Capture d\u00e9cran du 20230921 180651.png](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11476/VC1C9WB40SO62OKLS8FNFV7E/Capture_d%C3%A9cran_du_20230921_180651.png)\r\n\r\nBut the letter is sent to Mos\u00e9 Y\u00e9yap which is mentioned in the old inventory [https://www.ville-ge.ch/meg/musimages/registres/Registres_tapuscrits/40434.pdf](https://www.ville-ge.ch/meg/musimages/registres/Registres_tapuscrits/40434.pdf)\r\n\r\n![Capture d\u00e9cran du 20230921 181054.png](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11476/X75FBEPX8481K9GZNJ2RIVLX/Capture_d%C3%A9cran_du_20230921_181054.png)\r\n\r\n# Challenges\r\n\r\n* The names are not written in the same way (see above : J. Debarge in the MEG Metadata and DEBARGE, Josette, Dr in the index of the letters\r\n* There are a lot of letters, so it is not easy to guess which one has relevant information (maybe the date of the letter and the date of the entry of the object in the collection could help)\r\n\r\n# Possible Outputs\r\n\r\n* A small website which could display the objects and the relevant letters (and link them). Maybe with some additional information about the persons who wrote the letters\r\n* A data table with the possible links\r\n* An extraction of the letters which have information about objects\r\n* ...","maintainer":"liowalter","name":"Link MEG Letters and Objects","phase":"Research","progress":10,"score":31,"source_url":"","stats":{"commits":0,"during":6,"people":5,"sizepitch":3018,"sizetotal":3098,"total":19,"updates":13},"summary":"Link MEG Objects and the corresponding letters to improve provenance information","team":"liowalter, floriane_morin, EmmaRoberjot, marina_berazategui, dsievi, thomas_kerboul","team_count":5,"updated_at":"2024-05-03T00:06","url":"https://hack.glam.opendata.ch/project/188","webpage_url":"https://docs.google.com/presentation/d/e/2PACX-1vRLpqVigM0wQkDsNP6NFc7uQ-fE1BJVUC-vBzX0OfxjauZVL_H_HKohkWd1lAZb8w/embed?start=false&loop=false&delayms=3000#slide=id.g2862d187a34_0_2"},{"autotext":"","autotext_url":"","category_id":"","category_name":"","contact_url":"https://glamhackchworkspace.slack.com/archives/C05UC5VMRQT","created_at":"2023-07-20T06:48","download_url":"","event_name":"GLAMhack 2023","event_url":"https://hack.glam.opendata.ch/event/10","excerpt":"The first inventories of the collection of MEG are old handwritten inventory books. These books contain some very important information regarding the objects and their provenance. Not only do they inform about the date at which the object was collected or about the name of the person who collected it. They also provide sometimes some very useful contextualizing information about the biography of the object. Plus, they show how the objects were used by European institutions to produce colonial kn...","hashtag":"10","id":181,"ident":"","image_url":"https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11532/BXPXJQBWSZRSBDXOBI0WPBC0/Inventorybook_11_pp_12.JPG","is_challenge":false,"is_webembed":true,"logo_color":"","logo_icon":"","longtext":"The first inventories of the collection of MEG are old handwritten inventory books. These books contain some very important information regarding the objects and their provenance. Not only do they inform about the date at which the object was collected or about the name of the person who collected it. They also provide sometimes some very useful contextualizing information about the biography of the object. Plus, they show how the objects were used by European institutions to produce colonial knowledge on colonized people and their material heritage.\r\n\r\nThe information provided by these documents hasn\u2019t always been transferred to the digital database. Thus, curators and researchers spend a lot of time searching the old inventories to potentially find some more information on the objects they\u2019re working on. Such a program would be really helpful for all (provenance) research to be done in the future on the MEG objects.\r\n\r\n##  Traces of colonial knowledge production\r\n\r\nThe City of Geneva's ethnography collection was brought together in 1901 in a single exhibition site, which became the Mus\u00e9e d'ethnographie. The collection is made up of several collections from different public and private museums, including the Mus\u00e9e des missions and the Mus\u00e9e arch\u00e9ologique. These collections are described in original handwritten inventories, with specific numbering. When the Mus\u00e9e d'ethnographie was created, a new inventory grouping together the various collections was handwritten until 1973. Between 1973 and 1993, the continuation of this register was typed. At the same time, to facilitate consultation and protect the handwritten registers, the entire MEG inventory register (1901-1971) was also typed. The paper registers were subsequently replaced by computerised systems.\r\n\r\nExample:\r\n\r\nThe inventory entry of the object [ETHAF 034815, Victory at the Battle of Adwa (1896)](http://www.ville-ge.ch/meg/sql/musinfo_public.php?id=034815) is linked with two inventory book (see bottom of the inventory page).\r\n\r\n![ Title ](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11532/WMM0WTQKRX7ZIG0334FFG2RT/Adwa_1.PNG)\r\n\r\nThe first inventory [Copie dactylographi\u00e9e en 13 volumes de l'Inventaire original MEG manuscrit](http://www.ville-ge.ch/meg/musimages/registres/Registres_inventaire_dactylographie/3399.pdf) (which is a typed copy of the other one) was digitized with an OCR system. So, in this case, it was possible to link the exact page of the inventory related to this object.\r\n\r\nWhen you click on the link, you access the corresponding inventory entry:\r\n\r\n![ Title ](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11532/AT8A0RZQ6T810W4SOQ1WBQ8T/Adwa2.PNG)\r\n\r\nThe handwritten inventories however wasn't yet digitized with an OCR system. Thus, the link leads [to the whole handwritten inventory book](http://www.ville-ge.ch/meg/sql/doc/Registre_17_034278_035177.pdf).\r\n\r\n![ Title ](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11532/3HE2V9KFDCS538TXUJMDI9OJ/Adwa_3.PNG)\r\n\r\nInstead of leading to the whole inventory book, we'd like the link to lead to the corresponding page of the inventory:\r\n\r\n![ Title ](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11532/TFFY7NT4JJF1SPFHJ3Y0B0FW/Adwa_4.PNG)\r\n\r\nThe idea of this challenge would thus be\r\n\r\n* to create a program to read and transcribe the handwritten MEG inventories\r\n* to link the page containing an inventory entry with the corresponding object page in the museum database.\r\n\r\nOne problem case to be faced during the challenge: The inventory sheet of the number 025988 extends overs five pages of the register. (See inventory book number 11, page 12.\r\n![Inventorybook 11 pp 12.JPG](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11532/BXPXJQBWSZRSBDXOBI0WPBC0/Inventorybook_11_pp_12.JPG)","maintainer":"marina_berazategui","name":"OCR and linking of MEG inventories","phase":"Research","progress":10,"score":31,"source_url":"","stats":{"commits":0,"during":3,"people":7,"sizepitch":3925,"sizetotal":4045,"total":19,"updates":11},"summary":"Create a program to read and transcribe the handwritten MEG inventories and link the corresponding pages to the database","team":"marina_berazategui, floriane_morin, Gregoire_de_Ceuninck, liowalter, timtom, speytrignet, Hugo","team_count":7,"updated_at":"2024-08-12T07:54","url":"https://hack.glam.opendata.ch/project/181","webpage_url":"https://docs.google.com/presentation/d/e/2PACX-1vRLpqVigM0wQkDsNP6NFc7uQ-fE1BJVUC-vBzX0OfxjauZVL_H_HKohkWd1lAZb8w/embed?start=false&loop=false&delayms=3000#slide=id.g2862d187a34_4_1"},{"autotext":"","autotext_url":"","category_id":"","category_name":"","contact_url":"https://glamhackchworkspace.slack.com/archives/C05UQRXD5FT","created_at":"2023-07-19T16:09","download_url":"","event_name":"GLAMhack 2023","event_url":"https://hack.glam.opendata.ch/event/10","excerpt":"https://vimeo.com/872600339\r\n\r\n---\r\n\r\n# Challenge\r\n\r\nDATASETS:\r\nDatabase derived from the report \u201cTemps, espaces et histoires; Monuments et h\u00e9ritage raciste et colonial dans l\u2019espace public genevois : \u00e9tat des lieux historique\u201d by Mohamed Mahmoud Mohamedou et Davide Rodogno\r\n\r\nEXPLICATION: The idea is to create an application to visualize the \"Time, Space, History\" report in map form in order to make its content accessible to a wider audience. The aim of this project is to enable the residents o...","hashtag":"01","id":180,"ident":"","image_url":"https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11532/55J9QCZFAT9ICBPRWXFMUI0Q/Capture.JPG","is_challenge":false,"is_webembed":true,"logo_color":"","logo_icon":"","longtext":"https://vimeo.com/872600339\r\n\r\n---\r\n\r\n# Challenge\r\n\r\nDATASETS:\r\nDatabase derived from the report \u201cTemps, espaces et histoires; Monuments et h\u00e9ritage raciste et colonial dans l\u2019espace public genevois : \u00e9tat des lieux historique\u201d by Mohamed Mahmoud Mohamedou et Davide Rodogno\r\n\r\nEXPLICATION: The idea is to create an application to visualize the \"Time, Space, History\" report in map form in order to make its content accessible to a wider audience. The aim of this project is to enable the residents of Geneva to re-consider the city's urban space from the perspective of its colonial and racist heritage. This application is an essential tool for making the data in the report accessible to people who are unfamiliar with this theme in urban space.\r\n\r\nThe challenge is to make the data attractive and arouse the public's curiosity and desire to consult it. Visuals, illustrations and user-friendliness are central to the success of this application.\r\n\r\nEach monument or street mentioned in the report would be represented by a dot on the map of Geneva. It would then be possible to zoom in on the map to discover a particular area. When you click on a monument or street name, a historical note opens with the text of the report and historical information.\r\n\r\nIn the report, the monuments are classified according to different keywords. It would be possible to reflect these categories using a colour code on the map, or to allow monuments to be 'sorted' by keyword.\r\n\r\nWe'd like to add images of the different locations to the historical notices. We could perhaps use Wikipedia/Wikimedia images for that.\r\n\r\nThis map will be shown on a touch station in the central area of the next temporary exhibition at MEG \"Remembering. Geneva in the colonial world\" (03.05.2024-01.05.2025). The map would also be accessible online on the colonialgeneva.ch digital platform (the digital version of the physical exhibition) and on the City of Geneva project website \"Monuments and racist heritage in public areas\" (www.geneve.ch/heritage-raciste)\r\n\r\nINSPIRATION:\r\nThe website \u201cbern-kolonial\u201d: https://bern-kolonial.ch/wilkommen\r\n\r\nSOURCES:\r\nMohamed Mahmoud Mohamedou et Davide Rodogno\r\nTemps, espaces et histoires\r\nMonuments et h\u00e9ritage raciste et colonial dans l\u2019espace public genevois :\r\n\u00e9tat des lieux historique\r\n\r\nCONTACT:\r\nMarina Berazategui (MEG)\r\n\r\n[Click here to access the report in pdf format](https://www.geneve.ch/sites/default/files/2022-03/monuments-heritage-raciste-colonial-espace-public-etude-2022-ville-geneve.pdf)\r\n\r\n[Click here to access the report in word format](https://docs.google.com/document/d/1eAqngqAvWnVprocT6269sq79AbbBuhXf/edit?usp=sharing&ouid=113831577923411545324&rtpof=true&sd=true)\r\n\r\n[Click here to access the excel database extracted from the report](https://docs.google.com/spreadsheets/d/1DVC6uX653xEKe2wX5WBo5dA6BJLNQ2HWlaSAGkNCSso/edit#gid=0)\r\n\r\nMonuments et h\u00e9ritage raciste dans l\u2019espace public : [www.geneve.ch/heritage-raciste](www.geneve.ch/heritage-raciste)\r\n\r\nSlack: https://glamhackchworkspace.slack.com/archives/C05UQRXD5FT","maintainer":"marina_berazategui","name":"Tracking down colonial and racist traces in Geneva","phase":"Project","progress":5,"score":30,"source_url":"","stats":{"commits":0,"during":5,"people":7,"sizepitch":3062,"sizetotal":3164,"total":27,"updates":19},"summary":"create an interactive map of Geneva to track down the racist and colonial traces in the city of Geneva","team":"marina_berazategui, liowalter, floriane_morin, Gregoire_de_Ceuninck, Bertrand_Cassegrain, Can, FlorMchainWMCH","team_count":7,"updated_at":"2024-05-02T23:59","url":"https://hack.glam.opendata.ch/project/180","webpage_url":"https://drive.google.com/file/d/1mhfl22MhAQ6f1WnMPMIvSRMsgojYmyf3/preview"},{"autotext":"# Visualize Lucerne Portrait Gallery\r\n\r\n## Description\r\n\r\n### Gallery of remarkable people of Lucerne\r\n\r\nIn the library hall of the ZHB Lucerne you find 260 painted portraits (oil on canvas) owned by the \"Korporation Luzern\" about remarkable persons of the history of Lucerne (the so called \"merkw\u00fcrdige Luzernerinnen und Luzerner\") The portraits are digitized and open access available via ZentralGut.ch, the repository for the digital cultural heritage of Central Switzerland hosted by ZHB Lucerne. 240 portraits are already available under public domain, 21 portraits are still under copyright and only available at ZentralGut. \r\n\r\n### Biographies about the \"merkw\u00fcrdige Luzerner:innen\"\r\n\r\nAlong the portraits the library has a collection of short biographical notes about each portraited person. The so called \"Kurze Lebens-Notizen zu der Portrait-Gallerie merkw\u00fcrdiger Luzerner auf der B\u00fcrgerbibliothek in Luzern\" are digital available at ZentralGut(https://n2t.net/ark:/63274/zhb1309s) but furthermore we made a double-checked [fulltext transcript using WikiSource](https://de.wikisource.org/wiki/Kurze_Lebens-Notizen_zu_der_Portrait-Gallerie_merkw%C3%BCrdiger_Luzerner_auf_der_B%C3%BCrgerbibliothek_in_Luzern) as crowdsourcing platform. These corrected biographical notes are stored also in the portraits metadata at ZentralGut and made the portraits a little bit more retrievable. \r\n\r\n### Wikidata-fication of the potrait gallery\r\n\r\nEvery portraited person has already its own Wikidata-Item. These items has different statements, according to the data already stated in wikidata or available using different sources, starting with the short biographical notes. The following [Query](https://w.wiki/7Q73) returns all biographical items, with image and URL into the Wikisource transcript of the biographical note. \r\n\r\n### Portraits uploaded to Wikimedia Commons\r\n\r\nThe 240 portraits under public domain are already uploaded to [Wikimedia Commons](https://commons.wikimedia.org/wiki/Category:Portr%C3%A4tgalerie_der_merkw%C3%BCrdigen_Luzernerinnen_und_Luzerner) and linked to the wikidata item of the described person, unless there was already a satisfied image stated. The addition or exchange of images in different Wikipedias is a currently ongoing task (2023-09).\r\n\r\n## Challenges\r\n\r\nZHB Luzern provides a more or less fully \"wikified\" dataset of biographical information, a digitized biographical source, interoperable and linked biographical items and decent portaits of the so-called remarkable people from Lucerne. According to the different statements avaialble in Wikidata a lot of different queries could be build and those group of people therefore analyzed. E.g. search for relative, people became the same political position, member of the same religious order enz.\r\n\r\n* Buidling a variety of analysis (and visualisations) on the biographical informations of the portraited persons\r\n* Add more granular information about differnet people (e.g. political parties, religion, relatives) or links to external sources\r\n* Think about a (3-d) virtual visualization of the library hall and its portrait gallery.\r\n\r\n## Links\r\n\r\n* [Portrait Gallery at ZentralGut](https://zentralgut.ch/merkwuerdige_Luzerner/)\r\n* [Kurze Lebensnotizen... at ZentralGut](https://n2t.net/ark:/63274/zhb1309s) = [Wikimedia Commons](https://commons.wikimedia.org/wiki/File:Kurze_Lebens-Notizen_zu_der_Portrait-Gallerie_merkw%C3%BCrdiger_Luzerner_auf_der_B%C3%BCrgerbibliothek_in_Luzern.pdf)  = [Wikisource](https://de.wikisource.org/wiki/Kurze_Lebens-Notizen_zu_der_Portrait-Gallerie_merkw%C3%BCrdiger_Luzerner_auf_der_B%C3%BCrgerbibliothek_in_Luzern)\r\n* [Wikidata - Potr\u00e4tgalerie - Project Overview](https://www.wikidata.org/wiki/User:ZentralGut/Portr%C3%A4tgalerie)\r\n* [Wikidata Query with images and link to Wikisource biographical note](https://w.wiki/7Q73)\r\n* [Wikimedia Commons Category:Portr\u00e4tgalerie der merkw\u00fcridgen...](https://commons.wikimedia.org/wiki/Category:Portr%C3%A4tgalerie_der_merkw%C3%BCrdigen_Luzernerinnen_und_Luzerner)","autotext_url":"https://gitlab.com/zhbluzern/visualize_portrait_gallery","category_id":"","category_name":"","contact_url":"https://glamhackchworkspace.slack.com/archives/C05UC69BEJX","created_at":"2023-09-28T09:34","download_url":"","event_name":"GLAMhack 2023","event_url":"https://hack.glam.opendata.ch/event/10","excerpt":"https://vimeo.com/873323770\r\n\r\nPhoto credits: [lequipe-visuelle.ch](https://lequipe-visuelle.ch/projekte/signaletik-zhb-luzern)","hashtag":"13","id":198,"ident":"","image_url":"https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/1/CYO2EE0IC775FA4RL12QJZ8E/equipevisuelleluzernemmenbrueckeagentursignaletikgrafikzhbzentralundhochschulbibliothek2021.jpg","is_challenge":false,"is_webembed":true,"logo_color":"","logo_icon":"","longtext":"https://vimeo.com/873323770\r\n\r\nPhoto credits: [lequipe-visuelle.ch](https://lequipe-visuelle.ch/projekte/signaletik-zhb-luzern)","maintainer":"LibrErli","name":"Visualize Portrait Gallery","phase":"Project","progress":5,"score":23,"source_url":"https://gitlab.com/zhbluzern/visualize_portrait_gallery","stats":{"commits":0,"during":0,"people":0,"sizepitch":127,"sizetotal":4156,"total":4,"updates":3},"summary":"","team":"LibrErli","team_count":0,"updated_at":"2024-05-03T00:07","url":"https://hack.glam.opendata.ch/project/198","webpage_url":"https://visualize-portrait-gallery-zhbluzern-33d2b4c7506284a907344ee898.gitlab.io/src/index.html"},{"autotext":"","autotext_url":"","category_id":"","category_name":"","contact_url":"","created_at":"2023-09-28T20:33","download_url":"","event_name":"GLAMhack 2023","event_url":"https://hack.glam.opendata.ch/event/10","excerpt":"https://vimeo.com/873705622\r\n\r\n---\r\n\r\n**[Traditional Knowledge labels](https://localcontexts.org/labels/traditional-knowledge-labels/) (TK Labels)** are an initiative for Indigenous communities and local organizations that allows them to express conditions for sharing their materials and engage in research in ways that respect community rules, governance and protocols for using, sharing and circulating knowledge and data.\r\n\r\nThe set of tools for communities includes additionally **[Biocultural (...","hashtag":"18","id":202,"ident":"","image_url":"https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/WikimediaMosaicCapture.png/600px-WikimediaMosaicCapture.jpg","is_challenge":false,"is_webembed":true,"logo_color":"","logo_icon":"","longtext":"https://vimeo.com/873705622\r\n\r\n---\r\n\r\n**[Traditional Knowledge labels](https://localcontexts.org/labels/traditional-knowledge-labels/) (TK Labels)** are an initiative for Indigenous communities and local organizations that allows them to express conditions for sharing their materials and engage in research in ways that respect community rules, governance and protocols for using, sharing and circulating knowledge and data.\r\n\r\nThe set of tools for communities includes additionally **[Biocultural (BC) Labels](https://localcontexts.org/labels/biocultural-labels/)** that are used to define expectations about appropriate use of biocultural collections and data.\r\n\r\nThe **[Notices](https://localcontexts.org/notices/aboutnotices/)** are tools for institutions and researchers to identify Indigenous collections and data and recognize Indigenous rights and interests.\r\n\r\nHow can these labels be used on Wikimedia Commons? How would adding them be administered? Who can add a label? How is adding them managed in practice?\r\n\r\nCorrie Roe from Local Contexts can join the discussion on Friday at 15:00 or 16:00 CEST.\r\n\r\n![kuva.png](https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/11563/Z1DJ7EUT7Q880J3TUJINXP71/kuva.png)\r\n\r\n[Result presentation](https://docs.google.com/presentation/d/1t98D03kJQpsnKed0wYp-EkcvjZNtAIt6O7HLRJar8AY/edit?usp=sharing)","maintainer":"Susannans","name":"Add Traditional Knowledge labels to Wikimedia Commons","phase":"Project","progress":5,"score":22,"source_url":"","stats":{"commits":0,"during":4,"people":3,"sizepitch":1377,"sizetotal":1497,"total":10,"updates":5},"summary":"Can Traditional Knowledge labels be added to Wikimedia Commons? What are the challenges? Let's work with Local Contexts!","team":"Susannans, corrieroe, Sadike25","team_count":3,"updated_at":"2024-05-03T00:00","url":"https://hack.glam.opendata.ch/project/202","webpage_url":"https://bucketeer-036aa605-c047-4623-8610-f1764b90cf98.s3.amazonaws.com/glamhack/1/4II3DKIYV7OG0OVZIKD58TXT/Local_Contexts_on_Wikimedia_Commons.pdf"},{"autotext":"","autotext_url":"","category_id":"","category_name":"","contact_url":"","created_at":"2023-09-30T14:43","download_url":"","event_name":"GLAMhack 2023","event_url":"https://hack.glam.opendata.ch/event/10","excerpt":"https://vimeo.com/873684702\r\n\r\n---\r\n\r\nProject by Sandra Becker, MEG","hashtag":"","id":205,"ident":"","image_url":"","is_challenge":false,"is_webembed":true,"logo_color":"","logo_icon":"","longtext":"https://vimeo.com/873684702\r\n\r\n---\r\n\r\nProject by Sandra Becker, MEG","maintainer":"","name":"Audio2Commons","phase":"Project","progress":5,"score":8,"source_url":"","stats":{"commits":0,"during":0,"people":0,"sizepitch":67,"sizetotal":114,"total":0,"updates":0},"summary":"Decolonizing objects using audio on wiki comons","team":"","team_count":0,"updated_at":"2024-05-03T00:00","url":"https://hack.glam.opendata.ch/project/205","webpage_url":"https://docs.google.com/presentation/d/e/2PACX-1vRLpqVigM0wQkDsNP6NFc7uQ-fE1BJVUC-vBzX0OfxjauZVL_H_HKohkWd1lAZb8w/embed?start=false&loop=false&delayms=3000#slide=id.g2862d187a34_2_3426"},{"autotext":"","autotext_url":"","category_id":"","category_name":"","contact_url":"https://glamhackchworkspace.slack.com/archives/C05UEN9H98U","created_at":"2023-09-26T19:57","download_url":"","event_name":"GLAMhack 2023","event_url":"https://hack.glam.opendata.ch/event/10","excerpt":"During his fieldwork in Vanuatu (1910-1912), the ethnologist Felix Speiser (1880-1949) was using different formats of notebooks to collect data. After returning to Basel, he spent years to manage this data and allocate it to museum categories. His huge collection of objects and photographs is well known as well as his publications. Browsing his notebooks, however, one can find a wild assemblage of different genres, from names of people and places, to anthropometric calculations, from cartoons to...","hashtag":"12","id":193,"ident":null,"image_url":"https://pictures.abebooks.com/inventory/31378328223_3.jpg","is_challenge":true,"is_webembed":true,"logo_color":"","logo_icon":"","longtext":"During his fieldwork in Vanuatu (1910-1912), the ethnologist Felix Speiser (1880-1949) was using different formats of notebooks to collect data. After returning to Basel, he spent years to manage this data and allocate it to museum categories. His huge collection of objects and photographs is well known as well as his publications. Browsing his notebooks, however, one can find a wild assemblage of different genres, from names of people and places, to anthropometric calculations, from cartoons to true to detail drawings, from detailed observations to strands of thoughts. As this material is so extensive and on top, his handwriting is very hard to read, this data seems to refuse access and analyzation.\r\n\r\nHaving the colonial burden of museum categories in mind, our project seeks not to use those categories again, but to find alternative ways to make the Felix Speiser archive accessible. Although the archive should be open to the public, we want to reach out to communities from Vanuatu and other stakeholders to work with the Felix Speiser archive and the Museum der Kulturen Basel as an institution. How can this extensive material be tamed, and its mostly unknown content be made accessible so that not only the museum can work with it but people around the world?\r\n\r\nTo achieve more accessibility, we would be very interested in being able to search Speiser notebooks for certain key terms. Toponyms, people names or travel routes, that are dispersed in different formats of notebooks, could be particularly valuable. Or data on objects, certain cluster of words, colonial content or architectural features to name a few examples. In shifting the focus, we hope to reconsider and finally decolonize Felix Speiser\u2019s legacy.\r\n\r\nImage source: [abebooks](https://www.abebooks.com/first-edition/Two-Years-Natives-Western-Pacific-Felix/31378328223/bd)","maintainer":"MauriceBonvin","name":"Telling a different story: a new reading of subalternity in notebooks","phase":"Challenge","progress":0,"score":3,"source_url":"","stats":{"commits":0,"during":0,"people":3,"sizepitch":1860,"sizetotal":1860,"total":7,"updates":3},"summary":"","team":"MauriceBonvin, piloublan, Basil","team_count":3,"updated_at":"2023-09-29T07:54","url":"https://hack.glam.opendata.ch/project/193","webpage_url":"https://docs.google.com/presentation/d/e/2PACX-1vRVgeCO_IOAjKUPfUPvSLTzfKppKuvH_h40KDLUwtySPgdPHo7XzNWrZ7FAnhfN8A/embed?start=false&loop=false&delayms=3000&slide=id.g285a610f7bf_1_11"}],"name":"projects"}],"sources":[{"path":"https://hack.glam.opendata.ch/","title":"dribdat"}],"title":"GLAMhack 2023","version":"0.9.5"}
